Steve Bandoma at AVA Gallery

in partnership with Spier
invites you to the opening of three solo exhibitions




opening at 6 pm
Monday, 15 June 2009
Exhibition closes on Friday 03 July 2009 at
1 o clock pm

Saturnine employs the Main gallery, this body of work utilizes acrylic paintings and screen prints to explore the victim/victimizer relationships. Stylistically, Cullinan applies Op Art devices to figurative painting; this unsettling visual effect creates a tension between a sense of intrigue and repulsion.

Steve Bandoma will be exhibiting white penis in the Long Gallery. white penis includes an installation and new photographic works created while Bandoma was in Zurich. Bandoma born in the Democratic Republic of Congo interrogates politics, power and colonialism

Upstairs in the Artsstrip D Rooster makes an entrance with his first solo exhibition Cigpix. Hundreds of ball point pen draws the size of playing cards line the gallery wall with obsessive mark making and fanciful explorations.

Féminisme, at Cité Internationale des Arts of Paris 2009

If being billed on numerous local and international exhibitions does not put proof in the pudding, then taking a peek at Kinshasa-born, Steve Bandoma’s work, should do the trick as it tethers within sculptural conceptual innovations that according to him “strive to connect societies while fulfilling the needs and interests of contemporary art and cultures.” In late 2005 Bandoma moved to Cape Town where artistic doors were literally flung open to him by curator – Khwezi Gule – at Cape 07 (x-Cape).

Turning back was no longer an option as he grew to a stage worthy of an honourable mention in the Art Buzz Book 2009 Collection (USA). Apart from holding down a residency for the first three months of 2009 in Zurich hosted by Prohelvetia, he was recently laureate for "Visa pour la Création" Afrique and Caraïbes en Créations hosted by Culturesfrance at Cité Internationale des Arts in partnership with Mains D'œuvres in Paris. Bandoma is now based in Cape Town and can be contacted via email:

by Unathi Kondile

ITC New Collaboration 2009

Amakwerekwere, 2009, Infecting the City festival at tibault square

Created by:
Heeten Bhagat (Zimbabwe)
Brigitte Defaix (Holland)
Athi Patra Ruga (RSA)
Steve Bandoma (DRC/RSA)


In 2008 the Spier Performing Arts Festival moved from the wine lands into the Cape Town CBD and became ‘Infecting The City’ (ITC). The arts have transformative power, the ability to widen our perceptions, open our imaginations, and show us the world from different perspectives: they belong in the centre of society. Confined in galleries and theatres they are often beyond the bounds of most people in our unequal community. ITC aims to make a festival of groundbreaking works accessible to people from all walks of life.

One of the features of the festival is that no works are performed in theatres: all are staged in unconventional locations: public squares, museums, fountains. This adds to the immediacy and excitement of the pieces, and provides a challenge to the creative artists who make them. In addition, many of the works are ‘site-specific’: they are integrally related to the sites in which they are staged – the history, the buildings, the flux of contemporary life. They cannot simply be restaged elsewhere. They are like fleeting monuments to the moment we live in, and are very much a part of our city.

Another quality of ITC is that it has a theme that the works pivot around. This year’s theme is “Home Affairs”, named after a certain inept government department, and investigating issues of citizen/immigrant, insider/outsider, inclusion/exclusion.
Millions of people across the world are on the move or have settled in new countries fleeing persecution, poverty and hopelessness, or looking for better opportunities. The notion of national identity has become fluid in the 21st century. In host countries the fear of cultural dilution and scarcity of resources and employment can erupt into xenophobic rage, as we witnessed across South Africa in 2009. We have asked artists to grapple with this subject matter, to deepen our understanding around these tensions that haunt our country and our psyche,

So for a week we transform Cape Town into a city-sized gallery exhibiting provocative, cutting-edge international and local artworks that resonate with one another within the urban landscape; a huge theatrical happening to disturb the humdrum and concrete. On behalf of the ITC team I urge you to spend a day or two in our wonderful city imbibing diversity, culture and history, and enjoying delicious food at our partner restaurants. Get infected!

Brett Bailey (artistic curator)

Brett Bailey (curator)

Cell: +27 (0)82 578 8209


A sector of the population with very little opportunity to see exciting, challenging performances is our school learners. ITC approached the corporate sector to sponsor 50 children a day from Arts and Culture Focus Schools across the peninsula to attend the festival. We want these young people to be stimulated, inspired and educated, and to get a sense of the complex relationships between history, society, architecture and the arts.
The scholars are led on a guided tour of the city from performance to performance, snapping photos for an online archive, enjoying a lunch, and finally participating in a facilitated workshop to discuss and analyse their experience in terms of the “Home Affairs” theme.
These youths are the future artists and creative thinkers of our city. They will be the custodians of the treasures of Cape Town. We applaud the investment the sponsors have made in the development of these learners and in our heritage. Each day of ITC is named in honour of the sponsor for that day.


• To put provocative, cutting-edge, high-quality performance works that engage with the complexities of our society into public arenas where they are accessible to the general public.
• To redefine and enliven the cityscape with performance.
• To make explicit the ‘hidden histories’ of the city.
• To bring culture lovers into the cbd.
• To give culturally-orientated learners a wonderful enriching experience of the history and complexities of the city, and of how the urban landscape, the arts and social issues can inter-relate.
• To establish an exciting, challenging platform to extend the skills and capacities of local and international artists.


Twelve established performance makers from South Africa, neighbouring states and Europe have been divided into three teams. In residency in Cape Town for five weeks, each of these teams will make a large scale, outdoor, site-specific work that investigates the issues around ‘Home Affairs’. With reference to the recent xenophobia outrage, the work of these exciting creatives will draw on the history of our city, the shadows that haunt our urban landscape, the complexities around immigrants and other ‘outsiders’ on the fringes of our society.
This aspect of ITC aims to foster a culture of vibrant street art in our city and, by bringing together diverse artists from different parts of the region and the world, to forge a creative network, to inject new skills and approaches into the city and to send these out into the region.
Some of the local collaborators include Alfred Hinkel (artistic director of Cape Town’s foremost dance company, Jazzart), Julia Raynham (avant garde Cape Town choreographer) and Athi-Patra Ruga (Johannesburg fashion designer extraordinaire).
Some of the visiting participants include Heeten Bhagat (Zimbabwean artist, curator and designer), Michael Lister (UK outdoor-theatre director), Brigitte Defaix (Dutch site-specific performance maker) and Fabrice Guillot (French aerial choreographer).

Amakwerekwere, 2009

Each of the twelve artists of the New Collaborations transforms the back of a bakkie (pick-up truck) into an ‘invisible’ performance installation. The bakkies tour the streets of the CBD displaying their poignant or idiosyncratic loads.

An evening in the ‘living archive’ of Cape Town: sixty experts from a boggling array of fields gather to share their knowledge and opinions on a chosen topic: “These are the times that we’re talking about”. Your ticket has four random numbers on it corresponding to the numbers on the experts’ tables. A bell marks the time and you move between tables engaging in four intimate and lively 20 minute interactions with a cosmologist, a politician, a sex worker, an historian, a trends analyst… who knows who you might meet and what you may learn…
The evening of Thursday 25 Feb only.

incwaba lendoda lise cankwe ndlela – the grave of a man is next to the road
A collage of stories, songs, rituals and images, looking at the dislocation of young people whose parents migrated to Cape Town from the Eastern Cape along the N2, and who are constantly on the move between the traditional space in the Eastern Cape and the space of (post)modernity in Cape Town; between the peripheries of the rural homestead and the centres of the metropolitan settlement. A stirring, vibrant multi-media work produced by one of the country’s top performance companies, Magnet Theatre, devised by Mandla Mbothwe.

An Histrionic
Celebrated Spier Contemporary award winners – anarchic performance-makers erf [31] (Peter van Heerden and Andre Laubser), and Anne Historical – take up residence in the Castle of Good Hope for a month to research the physical, architectural and mythological history of the Castle.
Members of the public will be invited to join the team on “An Histrionic” - a guided tour of the Castle that uses parody, performance and installation to explore the contradictory histories that lay claim to this, the most significant heritage site in South Africa's colonial history. History itself is presented as something that is constantly remade in the present: uncertain and uncanny.

Tuning into the Void:
A void is like an invisible body hanging in mid-air. It is the space between two objects, between two bodies, serving to distinguish two visible forms that move side by side. Suspended from a crane in a sculptural trapezium of rope, three dancers of the acclaimed French company Retouramont transform the skyline of the city in their spellbinding exploration of the void.
Designed and choreographed by Fabrice Guillot. Funded by IFAS.
Saturday 21 & Monday 22 February only.

Eyton Rd
Australian/South African, Talya Chalef’s moving meditation on displacement, traverses her grandparents’ flight through the concentration camps of the Holocaust, her own experience of shifting cities, and stories of displaced people from around the world. Eyton Rd is a journey along transit stops, through old houses, family photographs and faraway maps, tracing bloodlines and memories, sickness and trauma through the body and through times.
Directed by Talya Chalef.

Call Cutta in a Box: an intercontinental phone play
Imagine you are buying a ticket at the box office for an individual show on a specific day, but are not led to the auditorium of the theatre. Instead, you get the key for a room and a sketch of how to get there. You open the door and you find a phone ringing. You pick up the phone and a person with a strange accent strikes up a conversation with you. The voice belongs to a call centre agent from Calcutta, India. On the notebook desktop in your room images and videos are opening up out of nowhere. A story is about to develop and you realize that the call centre agent and you and your city are the very first protagonists of the plot.
By Rimini Apparat in collaboration with the Callcenter Descon Limited in Kalkutta.
Funded by Pro-Helvetia.

Several low key and/or volatile interventions, to be performed by a range of local performers and other artists.

Infecting the City Festival

Infecting the City Festival’s international and local visual, performance and mixed media artists are reeling from an intense and exhausting week of being immersed in the theme HOME AFFAIRS.They are ready to reveal their experiences,inspiration and performance ideas for the three core site-specific works in the Festival.

Please join us for snacks and drinks.

date: 4th February 2009 at 16h30 until 18h00
venue: The Gymnasium above the New Space
Theatre, 44 Long Street
rsvp NOW: for catering purposes
For more information on the festival, visit


Brian Geza: Creatively stimulated by social issues, Brian is the founder and director of Zvishamiso Arts, a dance, music and theatre outfit with a mandate to ‘edutain’ its audiences. He was a member of Zimbabwe’s premier dance company, Tumbuka, for 6 years until 2006.

Fabrice Guillot: Poetic choreographer, designer and dancer Fabrice is a founder member of French company, Retouramont (1990). Before that he worked with the Roc In Lichen Company, and with Kitsou Dubois. In 1992 he created his first ‘public space’ performance, on top of a building in Paris.

Kai Lossgott: A South African writer and visual artist working in video, performance and experimental film, Kai is currently the artistic director of “City Breath”, a collaborative urban video poetry and performance festival for the Cape 09 Biennale.

Julia Raynham: As a South African artist, Julia’s work is an assemblage of performance, composition and divination. Her point of orientation is ‘the body’ with its mutable capacity to exist in the metropolis and engage with augmented states of reality. She embraces high fashion and ritual plant medicines as subversive catalysts in her image making.

Alfred Hinkel:

Michael Lister:

Mary Manzole: A Zambian performer and performer-facilitator, and trained in Theatre for Development methodologies, Mary uses her skills to disseminate information to marginalized people through the arts. She has just completed her BA Honours Degree in Applied Drama at The Witswatresrand University.

Penelope Youngleson: Hailing from Durban, Penelope is a theatre maker currently studying at UCT. Her Master’s course focusses on the intersection, distillation and installation of Performance and Fine Art diciplines within her specific socio-geograhic, historical and philosophical context.

Steve Bandoma: Born in D.R Congo, Steve obtained his BA (FA) degree from Academies des Beaux-Arts University of Kinshasa, and moved to South Africa in 2005. He has participated in numerous group exhibitions both locally and internationally, and had his first solo exhibition in Cape Town in 2008.

Heeten Bhagat: An unclassically/anarchically trained arts professional, Heeten has experience in design, dance, film and education. Currently working on creative educative projects that are specifically looking at ways in which culture [present/past/future] and its innate value can be incorporated in a new post-surreal Zimbabwe.

Brigitte Defaix: Director and performer of mime/movement theatre, Dutch artist Brigitte works in and outside the Netherlands. She was with site-specific theatre company Griftheatre Amsterdam for 13 years before joining up with SLEM Landscapetheatre, and produces her own work through Stichting ZOOM.

Athi-Patra Ruga: Working in the fields of performance, photography, video installation and fashion, Jo’burg-based Athi-Patra describes his working method as resulting from 'the clash between material and memory', but notions of utopia and dystopia also form a common thread. His works have been exhibited extensively in Africa and Europe.